ART

Melt, Reenie Charriere, MFA ‘09

Posted March 03, 2014, at 12:54 p.m.
Last modified March 10, 2014, at 5:10 p.m.

Monday, March 10, 2014 8 a.m. to 8 p.m.
Tuesday, March 11, 2014 8 a.m. to 8 p.m.
Wednesday, March 12, 2014 8 a.m. to 8 p.m.
Thursday, March 13, 2014 8 a.m. to 8 p.m.
Friday, March 14, 2014 8 a.m. to 8 p.m.
Saturday, March 15, 2014 8 a.m. to 8 p.m.
Sunday, March 16, 2014 8 a.m. to 8 p.m.
Monday, March 17, 2014 8 a.m. to 8 p.m.
Tuesday, March 18, 2014 8 a.m. to 8 p.m.
Wednesday, March 19, 2014 8 a.m. to 8 p.m.
Thursday, March 20, 2014 8 a.m. to 8 p.m.
Friday, March 21, 2014 8 a.m. to 8 p.m.
Saturday, March 22, 2014 8 a.m. to 8 p.m.
Sunday, March 23, 2014 8 a.m. to 8 p.m.
Monday, March 24, 2014 8 a.m. to 8 p.m.
Tuesday, March 25, 2014 8 a.m. to 8 p.m.
Wednesday, March 26, 2014 8 a.m. to 8 p.m.
Thursday, March 27, 2014 8 a.m. to 8 p.m.
Friday, March 28, 2014 8 a.m. to 8 p.m.
Saturday, March 29, 2014 8 a.m. to 8 p.m.
Sunday, March 30, 2014 8 a.m. to 8 p.m.
Monday, March 31, 2014 8 a.m. to 8 p.m.
Tuesday, April 1, 2014 8 a.m. to 8 p.m.
Wednesday, April 2, 2014 8 a.m. to 8 p.m.
Thursday, April 3, 2014 8 a.m. to 8 p.m.
Friday, April 4, 2014 8 a.m. to 8 p.m.
Saturday, April 5, 2014 8 a.m. to 8 p.m.
Sunday, April 6, 2014 8 a.m. to 8 p.m.
Monday, April 7, 2014 8 a.m. to 8 p.m.
Tuesday, April 8, 2014 8 a.m. to 8 p.m.
Wednesday, April 9, 2014 8 a.m. to 8 p.m.
Thursday, April 10, 2014 8 a.m. to 8 p.m.
Friday, April 11, 2014 8 a.m. to 8 p.m.
Saturday, April 12, 2014 8 a.m. to 8 p.m.
Sunday, April 13, 2014 8 a.m. to 8 p.m.
Monday, April 14, 2014 8 a.m. to 8 p.m.
Tuesday, April 15, 2014 8 a.m. to 8 p.m.
Wednesday, April 16, 2014 8 a.m. to 8 p.m.
Thursday, April 17, 2014 8 a.m. to 8 p.m.
Friday, April 18, 2014 8 a.m. to 8 p.m.

Location: Maine College of Art, Artists at Work Project Window, 522 Congress St., Portland, Maine

For more information: Nancy Walker; 207-775-3052; meca.edu

I am invested in everyday moments. My practice is triggered by expeditions along everyday paths, and sidewalks, including public waterways and shorelines. I investigate by walking, driving and even waiting in traffic, and I am captivated by what accumulates in the environment, especially by the juxtaposition of organic to synthetic matter. By observing, photographing, gathering, I devise playful sculptural installations that transform the materials I collect, and reconsider.

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