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Marshall Ford Swing Band: Western Swing

Posted Aug. 20, 2012, at 2:35 p.m.
Last modified Aug. 21, 2012, at 11:13 a.m.

The living room clock of Marshall Ford Swing Band songwriter-guitarist Greg Harkins has the 3 and 9 switched. The clock runs counter-clockwise, but Harkins sees no problem with it. In fact, the clock’s irregularity fits perfectly into the makeup of the Austin swing band’s aesthetic.

“We’re heading into the past, man,” Harkins says with a smirk.

Harkins and his bandmates have been evoking that past since 2008. They pride themselves on playing Western swing music the way the legendary Johnny Gimble — MFSB singer-pianist Emily Gimble’s grandfather — plays, the way Bob Wills and Hank Thompson used to when they ruled the Texas scene. They’re unique in their modern execution of the antiquated art.

“It’s fun to play,” Harkins says of Texas swing music. “It’s got hip changes. You can’t help but tap your feet and snap your fingers to it.”

Named for the predecessor of Lake Travis’ Mansfield Dam, the band’s roots were planted in 2003 by Harkins. Raised on Willie Nelson’s “Somewhere Over the Rainbow” and Bob Wills’ “For the Last Time,” the band’s interest in swing music took them to Johnny Gimble’s swing camp in Taos, N.M., where they met Emily Gimble and knew they had to start playing with her regularly.

They persuaded her to move from Waco to Austin and brought in bassist Kristopher Wade and drummer James Gwyn to complete the quartet. Since then, it’s been delighting fans with its upbeat swing and guitar magic in Austin and beyond. The band often plays with different pairings depending on the gig.

Fans of the Marshall Ford Swing Band will get a heavy dose of Gimble’s sultry vocals, Harkins’ playful guitar phrasings, and wade and Gwyn’s tight rhythm section on this year’s “It’s About Dam Time,” the band’s first full-length studio album. Recorded at Austin’s famed Tequila Mockingbird Studios and produced by Danny Levin, the album showcases the band’s healthy dose of original tracks — each member contributed at least one song — along with some of Western swing’s most beloved standards.

Altogether, the album proves to be a welcome introduction to members of Marshall Ford Swing Band, modern day carriers of western swing’s torch.

“A lot of people I know will play swing music,” says Emily, “but it’s not the same as with these guys. We pull off Western swing very well. It’s special.”

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