Judy Taylor Statement Maine Labor Mural   March 30, 2011

Posted March 30, 2011, at 2:02 p.m.
Last modified March 30, 2011, at 6:15 p.m.
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As the artist who created the mural, people ask me how I feel about what’s

happening and what I would like to see done. Like many of the people of

Maine, I want to see the mural displayed publicly as it was originally

intended. I want people to see it and connect to Maine’s labor history. The

purpose of the mural is historical, the artistic intent to honor. It belongs

to the people of Maine and needs to be accessible to them.

Painting the mural is what I have trained my entire life to do. The theme of

figure and context is what I set out to chronicle in my career as an artist.

In fact, my first painting as a child was of my grandfather on his farm in

Nebraska, in the context of his work and life. I loved seeing my

grandparents work and followed my grandmother all over her farm and rode with

my grandfather as he delivered oil around the state.

I’ve always had a deep curiosity and passion for my family’s history as well

as our nation’s history, so when in 2007 I learned that the Maine Arts

Commission was requesting submissions for a commissioned piece of artwork

detailing the history of labor in Maine, I immediately entered the

competition.

After a competitive process, I was awarded the commission and commenced upon

a year of research, preparation of archival materials, sketches of stories in

context based on historical fact and painting the panels. I added one

personal piece, which was to include my mother and father as I had lost both

of them the previous year. My father is the young Army officer and my mother

the little girl in the Frances Perkins panel. My father served as a Forward

Observer during the Korean War and was awarded a Bronze Star. He was a man

who stood by every word he spoke, every letter he wrote. It was so

heartbreaking to learn that this controversy may have started with an

anonymous letter comparing this mural to a North Korean propaganda poster.

Perhaps we should hang my father’s Bronze Star for his service in Korea in

the now empty reception area of the Maine Department of Labor until the mural

is returned, as a symbol of the importance of remembering our history, and

not shuttering it away.

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  • Tea42

    Le Page’s claim of having received a letter matching the Augusta mural to one seen in North Korean POW camps is ridiculous.

    But it’s becoming clearer each day, that Le Page has interpreted some similarities in what transpired earlier in Maine – as depicted in the mural – to those working conditions, he and his Tea Party are unabashedly re-creating.

    He just couldn’t face it.

    Filled with shame, he and his Watergate-style gang removed the mural under the cover of darkness. It could be in one of the many storage units that proliferate the state, or, Joe’s Garage around the corner.

    Who knows?

    With the dirty deed behind him, he quickly packed and fled to Florida and then onto Jamaica, where he remains, ashamed and incommunicado.

  • Anonymous

    Come on now… you give him too much credit. You have to have empathy to feel shame… He has no feelings for anyone but himself. A stealer of other kids candy…

  • kcjonez

    Your work is beautiful, Judy, and deeply appreciated by most Mainers. I’ve been keeping Kris Kristofferson’s song, “Don’t Let the Bastards Get You Down” in my head for a few days. It helps.

  • Anonymous

    I would suggest that this fine lady who Governor Lepage has insulted, Paint a mural of Governor Lepage depicting his selfish act of slithering in the Dark recesses of the French Quarter, poised, ready to pounce on the unsuspecting youth at halloween, green teethed with prying yellow eyes contemplating his future rise to power in the very same State that he perpetrates his youthfull hienous act of bullying.
    The thoughts displayed above him of the same image in a future time incidiously portraying the ruination of the working families of Maine as he siphons the cash from the peoples halloween bag into the overflowing pockets of the 2011 Robber Barons!

  • Tea42

    You’re right.
    I should have said “Scared.”

  • http://www.facebook.com/antonio.giarratano Antonio Giarratano

    Not to sound to Shroud, but who really cares about the Artists family, okay, maybe gave her inspiration, but the FACT OF THE MATTER IS that the Mural is a Historical record of Maine’s laborers, and history belongs in a museum. You don’t see King Tut’s Golden Burial Mask in the Egyptian Capitol Building, you don’t see Cornwallis’s sword hanging in the White House, you don’t see the Gun that killed Kennedy hanging at the NRA Headquarters, no they are in Museums. The act of moving this thing isn’t an act of Censoring, it is actually going to broaden the amount of people to have access to it, people that would not normally be able to see it, unless they are having a Labor Dispute. Yes, it is currently hidden, because of all YOU people being a bunch of 10 year old idiots, not using your minds and only using your self-interests. Because of all of you, Museums are afraid to place the “HISTORIC” piece of art, that is why it is not hanging in one of them by now. YOU all should be ashamed of yourselves. I would actually want to go see this, but should I have to go to the Dept of Labor, NO…

  • Anonymous

    Antonio, so all the portraits in the hall of flags, the flags themselves, and all the other art works on display in the government agency known as the state house should be remove and sent to a museum?

  • Anonymous

    If Judy Taylor feels so strongly after her pain staking research and life long training after creation of this Soviet Russian and North Korean propaganda style “masterpiece” she should purchase this family portrait and hang it in her living room.

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